Michael O'Blogger

The Official Blog of MichaelOConnell.com

Monday, August 31, 2009

Late Night Bikini Drama

3:00 AM. I'm out on the patio after a night out drinking with A.T. at Slingshots. He headed home, I had dinner and finished a movie ("Burn After Reading", a film that should have been titled "Burn Before Watching"), took care of some things inside, then came out to do some writing.

I hear voices from behind me, and suddenly CGWI is standing next to my patio.

In a bikini.

I turn, and I see her roommate (also in a bikini) behind her, along with a dude. If not for the dude, this story would not be a blog entry, but a letter to a long-standing men's publication.

She asks me if it's going to bother me if they get in the hot tub. I say not at all. She explains that the landlady has been keeping a close eye on her, giving her trouble (one wonders why), and I assume she's well aware that no one's supposed to be in the pool area after 10:00 PM. I say it's fine with me. She thanks me, they go get in the hot tub. All seem quite tipsy, but hey, so was I a couple of hours ago. Fair's fair. I write onward, working on some new possible track names to contribute to Geoff Liver and his Space Orchestra's in-production album (don't ask). CGWI's cell phone goes off a couple of times over there, which I know because she has a music ring tone and it's turned up loud enough to wake both the King of Pop and Farrah Fawcett-Majors.

Soon the roommate comes back through the gate, says thank you to me (for what? Who made me Lord of the Hot Tub? Her roommate's dad OWNS the place) and good night, and heads back to their apartment. After just a couple of minutes, I hear her calling down to CGWI and the dude. I don't make out all of it, but I get "You guys...we're in so much trouble...cops...". Er?

CGWI and the dude come back out and head back to the apartment. I wait to see if any cops come up. None do. I can only assume, by deduction, that maybe the landlady called the apartment and told them to get out of the tub or she was going to call the cops? Hard to say. Why would she call the apartment if she knew they were in the hot tub? Unless, as I've long suspected, she has hidden cameras in all the apartments and saw the roommate stroll back in.

Regardless, it appears there's more demerits in CGWI's column on the landlady's death list. But is it a fight an otherwise power-mad apartment manager can win when trumped by the might of nepotism?

Stay tuned...

P.S. It's nice, at least, to be asked. That's a merit checked off on her column on MY list for courtesy. And courtesy goes a lot further when delivered in a bikini.

Wednesday, August 26, 2009

Your Internet Lesson of the Day

I got this email today.













FROM: lumberjacksn@inimplast.com.br
TO: oconnellma@aol.com

SUBJECT: Thank you for settling the order No.75111511

Dear Customer!

Thank you for ordering at our internet store.
Your order: Nokia 5800 XpressMusic, was sent at your address.
The tracking number of your postal parcel is indicated in the document attached to this letter.
Please, print out the postal label for receiving the parcel.

Internet Store.
Firstbatteries.com

ATTACHED FILE: D04f5fbec.mim

Oh, no! Something's wrong! I don't remember ordering any item! There must be some mistake! Am I being billed?! I'd best open this attached file right away and find out what's going on!

Okay...

There are people out there, all over the world, looking to rip you off, hijack your computer, or, hell, just wipe out your computer just for the fun of it. This is one of the ways they do it. And they count on people not thinking and just opening the file out of panic or curiosity. Then the deed is done, and you're eight ways screwed.

First off, look at the email address this one's coming from. It has a .br extension. This means it's from a web site in Brazil. For once, it's not out of Africa, at least. Nice to see South America getting it on the fun.

Second, my email address is one letter off. How this actually works, I'm not really sure, but it tends to lead you to think you accidentally got someone else's email...all the more reason to open the file, either to help them out or try to steal whatever item they ordered yourself!

Note the subject line. "Thank you for settling the order". Who talks like that? Answer - people that do NOT speak English as a first language. Bad spelling, grammar, or just awkward phrasing is another clue you're being spamulated.

"Dear Customer!": Just "customer", not me by name. Plus, an exclamation point after it? Again...English as a second language. "Thank you for ordering at our internet store". THAT's working the brand name, guys. Generic = suspicious. "Your order: Nokia 5800 XpressMusic, was sent at your address." It was sent AT my address, not TO my address? Do I handle the company's shipping now? "The tracking number of your postal parcel is indicated in the document attached to this letter". Letter? It's an email. Ass. "Please, print out the postal label for receiving the parcel." Oh, I'll open that RIGHT away, as I'm sure that will give me all the info I need to clear up this misunderstanding! Plus - "parcel", not "package". And it's signed "Internet Store" (there's that catchy store name again). And we finally get a site name: Firstbatteries.com, which I will NOT be browsing out of curiosity, as it's probably set up to shoot all manner of spyware at me the minute I do.

And the attached file. First...IT'S AN ATTACHED FILE. Never open those if they're not coming from someone you know, and even then, maybe not. This one's a .mim file, which is a generic internet format that, in essence, hides what kind of files, and how many files, are attached. If I downloaded that and opened it, I guarantee I could kiss either my computer or my bank account good-bye. Or at least I'd be changing internet passwords 'til spring.

These emails come in all forms. I get regular ones that look like they're coming from PayPal, telling me my account is being shut down unless I click the attached link and clear up "the problem". This link will, I assure you, go to a very PayPal-looking site that asks me to punch in my username and password. Cha-ching! It's Christmas Eve in Nigeria! I get them from banks or alleged banks, where they talk about a problem with your account. Even if you DON'T have an account with this bank (I get BofA ones all the time, and I have no account there), people are still concerned and curious enough to click the link or open the file...you know, just in case they FORGOT about an account they opened up.

Evil men across the globe are out to rip you off or just mess with your life. At this point in time, legally, there's little that can be done about them. All you can do is negate their expectation of you being dumb...by not being dumb. If it looks hokey, it is. Just delete it. Never click a link, never open an attached file. It's 2009 so we should all know this, but based on the fact that so many of these are still flying around, clearly people are falling for it, or they would have stopped long ago.

Don't be that guy!

Tuesday, August 25, 2009

Of Lawn Chairs and Crazy Neighbors

Most of us haven't been lucky enough to get to this point in our lives without dealing with some kind of neighbor drama. Either it's an issue over parking, over loud parties, maybe a tree growing over a fence, whatever. Sometimes these are just annoying, sometimes they get really ugly. But few of us have had the joy of dealing with the outright crazy neighbor...like, in this case, one who feels a pair of lawn chairs are an eyesore that "obstruct his view" from his bedroom window. And one who plans to take legal action if the situation is not remedied.

The email exchanges regarding this are quite entertaining. Click on the images to see them full-sized for easier reading.

Thanks to the folks at emailsfromcrazypeople.com for sharing.

Friday, August 21, 2009

Favorite Movies Scenes (I can think of right now)

Just up doing some late night writing, watched a couple of great films the past couple of days, got my mind on movies and those scenes that never quite leave me. Movies can be judged and analyzed and rated as a whole, but it's those scenes - those particular moments - that stand out in your memory and become your emotional anchor to them. I have far too many favorites to remember or mention tonight, so I just feel like hitting a few.

And this isn't going to be very informative, because I also don't want to give out any spoilers. But hopefully you've seen a few of these and can back me up. Or, if not, maybe you'll consider giving some of these films a try.

"COLLATERAL" - JAMIE FOXX IN THE HISPANIC BAR. Just finished my first re-watch of this Michael Mann masterpiece in a long time tonight, so it's on my mind. So many amazing scenes. The first is the cab ride with Jamie and Jada Pinkett Smith, a brilliantly understated but poignant human moment. There's the fantastic moment of unexpected connection when Tom Cruise gets Jamie's dispatcher on the radio and completely upturns our expectations about his character. And there is, of course, the coyote. But the scene with Jamie in the bar, going in solo? Clock ticking, everything on the line, having no idea if he can pull this off? THAT was magic.

"WANTED" - THE KISS. Another film with plenty of scenes to nominate, from the great walk-out of the office to the spectacular slo-mo factory run. But you can't be a guy and NOT dial in on the whole scene with the kiss. Daaaamn.

"JAWS" - SHOW ME THE WAY TO GO HOME. Three men, all from different worlds, drinking together, comparing scars (Roy Scheider and his appendectomy one...brilliant!), comparing stories, with the remarkable Robert Shaw telling the tale of the fate of the Indianapolis that found us all holding our breath as he did, and the singing of the old sea shanty as the men finally bond. Spielberg, if they had an Oscar category for "Most Magnificent Bastard", you'd have a whole case filled with them.

"ANY GIVEN SUNDAY" - COMANCHE. If you've seen it, you know what I'm talking about. Thank you, Oliver Stone, for showing love for the game, not turning it into some kind of big fascist metaphor conspiracy.

"COPLAND" - STALLONE WALKS ALONE. Man-tears are a strong possibility for any red-blooded male lucky enough to have seen this scene, and to have sat, dumbfounded in wonder, at the unexpected return of Stallone as an actor. I can't hear you, Ray...

"HEAT" - TIE: THE WHOLE DAMNED SHOOTOUT AND THE KILMER/JUDD "WAVE". Many reasons to count Pacino in for this, but for me, it's all about the most glorious use of bullets in the history of cinema, and that heartbreaking moment with Ashley Judd giving Val Kilmer "the wave". Something about the way it was shot, the choice of music...it was devastating.

"THE BEST OF TIMES" - THE FINALE. I dare you not to shed a tear. I dare ya!!

"MAGNOLIA" - THE "SEDUCE AND DESTROY" SEMINAR. Say what you want about Tom Cruise. Then watch this scene. Respect the c***, folks.

"BOOGIE NIGHTS" - THE NIGHT RANGER COKE DEAL. You might be picking something involving Roller Girl, and who could blame you? Me? I'm going for the delicious insanity of that whole scene at Alfred Molina's house. The 80s music. The firecrackers. The tension. The long, long, long tight shot on Mark Wahlberg's face, and the lifetime being projected from behind his eyes, the final confirmation that, holy crap, Marky Mark CAN act! Motorin'...!

"BOONDOCK SAINTS" - "THERE WAS A FIRE-FIGHT!!". Willem, Willem, Willem. You are still the master.

"THE PROFESSIONAL" - THE FINAL ASSAULT. Excuse me...I think I have something in my eye...(sniff).

"STAR TREK II" - THE NEEDS OF THE MANY. Oh, screw you, you cried like a little girl, too.

"BREAKING AWAY" - THE LITTLE 500. Go, you Cutter, go!! Dennis Christopher, where did you GO after this?! We've missed you. One of the greatest coming-of-age films ever made. And it came from the 70s. Go figure.

"JACKIE BROWN" - "ALL I ASKED WAS FOR YOU TO BE BEAUTIFUL...". Tarantino made his first grown-up movie (thanks, of course, to the Elmore Leonard source material), and it was a moving experience for me. One of its most poignant moments was the Sam Jackson/Bobby DeNiro van moment. But I'd be wrong to not recognize the closing as well. Across 110th Street is a hell of a tester...

"PULP FICTION" - "BUT I'M TRYING, RINGO. I'M TRYING REAL HARD TO BE A SHEPHERD". Yes, first Sam Jackson broke our concentration, but it was in this moment when he became a superstar.

"THE COWBOYS" - THE JOHN WAYNE SURPRISE. Let's...sniff...let's just move on, okay?

"EMPIRE OF THE SUN" - "P-51! CADILLAC OF THE SKY!!!". Before Christian Bale started being done with people (professionally), he blew us all away with this childhood role, and this transcendent moment in American cinema.

"SWINGERS" - THE DANCE. With this, he knows what to do with the bunny. Who's the big winner? Mikey wins.

"JERRY MAGUIRE" - THE MISSION STATEMENT. The scene that made us all reevaluate our lives and our place in the world. Yeah, okay, there's that whole Cuba Gooding moment, too...

"THE LONG KISS GOODNIGHT" - SAM JACKSON BEHIND THE WHEEL. Yeah, Sam Jackson again. A moment of pure redemption, a lifelong loser's moment of heroism. Chefs do that.

"LORD OF THE RINGS - THE FELLOWSHIP OF THE RING" - THE BATTLE IN THE WOODS. A handful of men against an army, and damned if they didn't make us believe they could pull it off. One of the most brilliant action scenes on record. Close enough to be a tie? "Fly, you fools!"

"LORD OF THE RINGS - THE TWO TOWERS" - HELM'S DEEP. The whole damned thing, but specifically, the ride out to meet the enemy. One of the best WAR scenes every filmed...and it had freakin' orcs in it, for crying out loud!

"SAVING PRIVATE RYAN" - THE FIRST TWENTY MINUTES. One of the most remarkable theater experiences I've ever had, the moment when, after all my years of watching World War II movies, I finally knew what being there was like.

"APOLLO 13" - "IT'S BEEN AN HONOR FLYING WITH YOU GENTLEMEN". "Apollo 13, this is Houston, do you copy?" I now know what it was like when the whole world held its breath, because thanks to Ron Howard, I did, too...

"ST. ELMO'S FIRE" - EMILIO DRIVES AWAY. Say what you want about the movie, but the Kirby Keger/Dale Biberman resolution will make you cheer.

"STEALING HOME" - FLY, JODIE FOSTER, FLY!!! A wonderful forgotten film of the 80s climaxed with an amazing Mark Harmon scene that put the bow on the whole thing. Try this one sometime if you've never seen it.

"THAT THING YOU DO!" - TIE: THE GENESIS SCENE AND THE RADIO SCENE. Maybe not one of the greatest films ever made, but it contains two of my favorite movie scenes of all time, both involving that damned song...

"THE SIXTH SENSE" - THE CAR SCENE. You thought I was going to go for the ending, didn't you? For me, the biggest moment of emotional connection in that film was between Haley Joel Osmont and Toni Collette in the car just BEFORE the ending. Wow.

"UNBREAKABLE" - THE BREAKFAST TABLE. I again challenge you to hold back a tear, in this magnificent scene in a film you either got or you didn't. I hope you did.

This is nowhere near a complete, list, as I said, and it's made up of random late night thoughts when I should be sleeping. But these are some of those scenes that continue to stoke my love of film, of what it can do to us, and what it can be when all the ingredients mix just right. And when that happens? THAT, my friends, is what they call movie magic.

To be continued.

Sunday, August 16, 2009

"Boy, you got it made there."

An older woman I don't know (new neighbor? Visitor?) just left the pool and walked by me on her way back to whatever apartment she came from. While passing, she commented at me, with a smile, "Boy, you got it made there."

Her comment was based, I'm sure, on the fact that I'm relaxing in the shade, lazily reading/writing on my laptop, smoking a cigar and probably looking as relaxed and serene as I feel.

"Yes," I commented back to her, thoughtfully, with a smile. "Yes, I do."

The summer afternoon is right at my perfect level - warm, but not too hot, with the sun not yet shining directly down on my patio, but safely overhead behind the roof. There's a very slight breeze occasionally blowing, and the sky is blue and clear.

I had a good night's sleep last night, which was a rare thing. I got up feeling refreshed, rose and got to some studying I'm doing to prepare for the job interview I have coming up on Tuesday, which is for the exact type of position that has NOT been showing up on want ads for the past six months. I was able to focus and get a good chunk of my reading done without my mind wandering to other things I'd rather be doing, because preparing for such a fortuitous interview is nothing but a pleasure.

I'm taking a break from it and catching up on a couple of things on my fully-functioning laptop that's giving me no errors and my internet connection is not going down, causing me to go back inside to reset the router, something that's been happening a lot lately. I happen to have a couple of cigars left, my favorite, familiar brand, and this particular cigar is not rolled too tight or too loose, but has just the right draw. And I can smoke it without being anxious or guilty, because my long-time upstairs neighbor - he of the open windows who refused to use his A/C - moved out several days ago, and the apartment, for now, sits vacant.

My folks have a job. After eight months of heartache, frustration and challenged faith, they're relaxing today in their temporary home on Sierra Vista, Arizona, waiting for the first Monday of the job to begin. It's not a long-term job, and may only take three or four months, but it's a job, and it's a paycheck, and their relief brings me a peaceful gladness.

I've just spent three days in a row out doing things with good friends, enjoying their company and catching up on old times, and during that time I saw two amazing movies, and saw both for free thanks to free movie passes given to me back during the holidays by family members who know what makes me happy.

I'm checking Facebook and Twitter and finding out what friends (and favorite celebrities) are doing with their Sundays, and there seems to be a universal enjoyment of the day going on, and spirits are high and thankful.

My stomach isn't perfect, but it's not treating me worse than normal, and my hearts seems content to operate like it should and not distract me with its fussing.

Children are playing in the pool - happy, but not screaming. Neighbors are strolling by, in no rush to get where they're going, clearly content with the day and their lives.

I have a list of things to do with the remainder of my day, and look forward to - instead of resent - completing them, and to the feeling of accomplishment that will come with doing so.

I'm alive and well, have a life populated by amazing people who enrich it just by being in it, live in what I still consider to be the greatest state in the union (economy paling in comparison to the weather and the scenery), have a roof over my head in these troubled times, and looking ahead to a future that feels ripe with possibility and adventure instead of heavy and wearying.

Yes. I do seem to have it made here.

I hope this Sunday finds you feeling the same.

Friday, August 14, 2009

"The Hurt Locker" and "District 9"

Two movies in two days. Finally getting into my summer movie groove.

Yesterday I hooked up with A.T. and Rich to go catch "The Hurt Locker", a film we were seeing on my recommendation. I'd happened to be over at Rotten Tomatoes checking on another film a while back, and I spotted a film mentioned there - one I'd never heard of - that carried a startling 98% "fresh" rating. That means 98% of critics reviewed it positively, and this number is almost unheard of.

Curious, I went to learn more. I saw words like "A near perfect movie" (Time Magazine); "One of the defining films of the decade" (Daily News); "A viscerally exciting, adrenaline-soaked tour de force" (New York Times); I even saw someone say this this film is to the Iraq War what "Full Metal Jacket" was to Viet Nam. And then I found out it was directed by Kathryn Bigelow?! The woman who brought us "Point Break" and "Strange Days" and the 80s vampire flick "Near Dark"? A Bigelow film was now being discussed as a "leading contender for the Academy Award" (Chicago Sun-Times)? Intrigued? Why yes, I was.

So I talked Rich and A.T. into it, and even sweetened the deal with some free movie passes I had left over from Christmas. No dollars to be lost, just time. So, knowing almost nothing about it (not even who was in it), we went and checked it out, blind.

Here's the thing. It IS an amazing film. I want to underscore the "film" part, though. It is not a "movie". It's not Hollywood. It doesn't follow a normal formula, and doesn't go the expected ways. If you walk in thinking it's a Bruce Willis movie, you might end up like some others in the film around us who apparently got bored and walked out. This is an indie film. It's a character movie. Know that before you attempt it, and be in the mood for that.

If you are, you'll find yourself feeling like you've served a rotation in Baghdad. The film feels almost documentary-authentic. If it's not a realistic portrait of Army life in the Gulf, then it sure fooled me. The main focus of the film is a group of soldiers that are part of the bomb squad, who disarm (or set off) explosive devices. Through their experiences and their eyes, we learn about the surreal nature of military life there, the dangers around every corner (not knowing civilian from enemy), the loneliness, the questions of mortality, and the varied ways war gets inside a man and how it changes him. The best part about it, I think, was that it was not a film projected from a pulpit. There were no politics in it, no questions of should-we-or-shouldn't-we. Those are questions for us back home. This film was about those guys over there, and it never forgets that from its start to its finish. I found that very respectful, and welcome. Viewers are left to make up their own minds, and will likely, I think, walk out with exactly the same views that had walking in - but with a greater appreciation for the men and women serving there. It LETS you think. It doesn't TELL you what to think.

Another review called it a "Full-tilt action picture". Uh...no. That's misleading. There IS action, but it's not Hollywood action. There's a lot of tension and suspense, but it's punctuated, like life over there, with long periods of inaction filling time. You might find it drags in parts, but I like the think that was intentional, meant to mirror the day-to-day existence of the troops. What's the old phrase? - long periods of boredom punctuated by moments of sheer terror? Something like that. I, myself, was not bored, but fully immersed it. Whether you will be or not depends on your own film preferences. But I felt it fair to warn you in advance so you'll know what to expect, and with that warning, I strongly recommend seeing the film. It really is a piece of quiet greatness, with brilliantly understated performances and a few surprise cameos. If you get a chance to see it before it's gone, I say go. If not, it'll be a great DVD watch for you, too.

Tonight it was just me and A.T., and our film of choice this time was "District 9", one that we got to see free, again, thanks to my final pair of passes (quick note to folks - those Price Club movie passes you buy at a discount? Those work even for new films that say "no passes" next to them in the listings. Those are well worth buying). We headed to my personal favorite theater in town, the UA stadium theater in El Dorado Hills. It's worth the drive up the freeway. Plus, there's a great selection of restaurants surrounding it, which led us to having a great dinner at Pete's before the show.

"District 9" is a sci-fi movie that's been in the pipe for a long time. I'm not really sure what the delays were about (haven't researched that), but it was being heavily marketed at last summer's Comic-Con when I was there, and the photos I saw of this year's Con showed the same promotional materials set up. It took it's time getting here.

And it was worth the wait.

I'm going to disclaimer this one for you, too. NOT HOLLYWOOD. This a (wonderfully) unique piece of cinema, and will stomp on all your expectations. Be prepared for weirdness. Magnificent weirdness. Produced by Peter Jackson ("Lord of the Rings") and written by a South African screenwriter, it's set in Johannesburg, where, twenty years ago, a massive alien ship arrived and floated above the city--and stayed there. The government finally moved in, only to find a million stranded alien beings, clearly with no way to get home. The government moved the aliens off the ship and into a holding area that turned into a slum. The aliens are now quite hated by the local humans, who want them out of the area. The pending forced relocation of them to another area - essentially a concentration camp - starts our story, which is shot (in the beginning) as a documentary.

Warnings for potential viewers - lots of Shaky-Cam (tm), so if you're prone to motion sickness, prepare for a headache. Also lots of gore. I saw people get up and leave during some of the more graphic scenes. But the gore is done in - dare I say it? - an almost entertaining way. If you saw "Robocop" or "Starship Troopers", then you know what to expect. Unlike "Hurt Locker", this IS more of an action film, but draped more in satire than adrenaline. Yes, much of it ends up darkly funny. It's part of its charm. I heard one reviewer call it "Independence Day for the art-house set". That's fairly on-the-nose. It has spectacular special effects, but ends up an unexpectedly human (and alien?) film. You will laugh, you will feel your heart ache, you will be on the edge of your seat, you will grimace at exploding people and yet find yourself snickering despite yourself.

Some of the initial concerns I heard before the film's release was that it was a big metaphor for apartheid, and isn't that message a good decade or two out of date? Don't worry - the apartheid part is there, but it's at the beginning of the sentence, not the punctuation. It's the setting, not the overall message. It doesn't tie a big "apartheid is bad!" ribbon on the top of it, because it knows, naturally, that we're all quite aware of that and in agreement on the thought by now. It just makes for a much more interesting stage.

I'd wager to say it's a science fiction film like you've never experienced, and that alone should draw you to it. The lack of any name actors makes it feel all the more real and aids in your immersion into the story, and you'll find yourself invested in the film through the whole thrilling and riotous ride. If you're cool with a lot of gore and a trip down an unfamiliar cinematic path, then you'll enjoy "District 9" as much as I did.

Two films, two winners, no cost. Not a bad couple of summer days, I'd say.

Monday, August 10, 2009

Your Thought For Today

"I've missed more than 9,000 shots in my career. I've lost almost 300 games. 26 times I've been trusted to take the game winning shot and missed. I've failed over and over and over again in my life. And that is why I succeed."

---Michael Jordan

Sunday, August 2, 2009

Rockalottapus: A Former Sophomore's Heavy Metal Journey

During my sophomore year in high school, I was not cool. I LIKE to think that very few sophomores are, but I was definitely a nerd. The guys who were cool, on the other hand, were the upperclassmen - the seniors and the juniors. Those guys had all the cool stories, did all the cool stuff, and us lowly underclassmen could only dream of being part of their legendary adventures.

So naturally, this thought occurred to me when my former schoolmate, Vlado (one of the seniors), dropped me a line on Facebook and asked if I'd want to go with him, Randy (another senior), Robert (a junior) and Shawn (graduated before any of us) to go see Judas Priest, Whitesnake, Tesla, Saliva, Trapt, and several other bands at the 98 Rock "Rockalottapus" concert event, a ten-band head-banging show. At this time in my life, I really don't have the dough to spend on concerts, but Vlado insisted and fronted me the ticket. And so, with twenty-five years having passed since I was that sophomore, I was getting the chance to go to a heavy metal concert with the cool guys. I wish I could have sent a temporal email back in time to sophomoric me and told him so. I'm sure he would have crapped his nerdy pants.


The big day was Saturday, August 1st. This is a concert event I'd heard about on the radio, when I've ended up on 98 Rock (when *I* was a young rocker, the station used to be 93 Rock...and we liked it!), but didn't give it much mind. Probably because I haven't actually been to a concert since about 1994. I used to be a MAJOR concert-goer during my rocker days. If there were guys with perms and makeup involved, I had a ticket. Van Halen, Queensryche, Aerosmith, Dokken, Cinderella, Scorpions...and, yes, even Whitesnake and Tesla, two of the bands on the Rockalottapus ticket. Concerts start to lose their appeal as you get older. You don't want to be the old guy there, for one thing. Plus, you start to look at the drunken, tattooed, screaming idiots around you and realize you really don't have much in common with them anymore. Also...it just gets to be kind of a hassle. The driving, the traffic, the parking, the crowd, the clouds of weed smoke flowing overhead, the people vomiting on your shoes, the damage to the eardrums, the hour-long lines to horrifyingly toxic bathrooms, more traffic trying to leave the venue and get home... You get older, and it all just starts sounding like a game meant for the young to enjoy. You'd rather sit home on your couch with a nice DVD and put your feet up.

But the memories are still there, and most are good ones. And you get to a certain age where all that hassle suddenly pales in comparison to the thought of reliving your glory days and feeling like a young rocker again. And when you find out it's a show that promises thousands of people your age and beyond, the idea becomes even more appealing, just as a unique time travel experiment - what do all those people you rocked out with back then look like now? I couldn't wait to find out.

So the day arrived, and Vlado and Robert pulled to my place, ice chest in tow, to load up into my van. There was some question of not taking my van for the trip, since my air conditioning is out, and...well, it's August. I don't mind the heat, but I didn't want to have to subject these guys to it. Turns out these guys were more than willing to do so to arrive at the show in a tricked-out blue flame van. It was decided, and I was the chauffeur. Outstanding. I really hate climbing into other people's cars if I can avoid it.

Randy was picking up Shawn (whose name I knew, but I'd never really met, since he was class of '81 and I was class of '86) in Davis, and we were to meet them near Arco Arena - a good central meeting spot on the way to Sleep Train Amphitheatre in Wheatland, our destination - and drive our two cars there together. We ended up outside an In & Out Burger near the Arena, and Randy and Shawn arrived almost immediately after. We hung out there for a few, chatting, cracking some cold beverages from Robert's ice chest, and then finally got underway. I was in the lead. Not really knowing the directions, I was letting Vlado do the navigating in the passenger seat, but he was also doing double-duty as DJ, getting a Judas Priest CD set up and playing. So I drove right past the turnoff to I-70, leaving Randy and Shawn confused but assuming I knew what I was doing. NEVER a good assumption. We got turned around and let Randy lead the way this time, and took the roughly 30-minute cruise there.

We showed up nice and early on purpose, so parking wouldn't be a problem and we could catch as many of the bands as we liked. We wouldn't get to see ALL of them, since there was the main show on the main stage, but also a "B-stage" outside with some of the other bands playing out there simultaneously. As we opted (of course) for the main stage, we wouldn't be seeing Saliva, Cavo, Since October or Rehab (I know Saliva, only, amongst those bands anyway). Randy had paid extra for the VIP parking, so he got to park in the same lot as I did with my handy handicapped parking. I found a great spot right by the entrance, since not a lot of folks showed up as early as us. It turned out to be an even BETTER spot than I'd thought. After all we all got out and got more beverages happening, we noticed a minivan pull up right nearby and pull into a handicapped spot. The passengers were NOT physically challenged, believe me. This was the van from Deja Vu, a local strip club, and it was filled with dancers who would be (we found out) appearing on stage at one point (not to strip...well, not completely...but to hose down the crowd with water guns). It's not every day you get to watch a bunch of gorgeous strippers in tiny little dresses pile out of a van, so, yeah...good spot.

After some hanging out in the heat (and it was hot, believe me. Robert with the bottled water was a lifesaver) we figured it was time to head in. We got my ticket from Will Call and flocked inside. The guys had all gotten general admission "pit" tickets. As this was probably going to suck for me, after discussing it with me, Vlado got me a handicapped seating ticket, which is AWESOME seating at this venue, right at the rail at the bottom of the main seating with just the pit between me and the stage. We went there first to find my spot, and while Vlado and Robert didn't have tickets for that section, a helpful security guy took their tix from them and marked them up to allow them to sit there in chairs with me. Now they'd have the option of relaxing in nice, safe seating or braving the dangers of the pit, depending on their mood throughout the day. Awesome.

I mentioned it was HOT, right? Whew. This is an outdoor amphitheatre, and we had the hot August sun beating down on us. Randy, forward-thinking guy that he is, brought and shared sunblock. He particularly remembered this because, not too many months ago at our school's alumni event, I'd sat outside too long talking with him, his wife and others, and I'd gotten SCORCHED (I'm Irish...it happens...). As I'm beginning to write this right after getting home, I haven't taken a look in the mirror, so I'm not sure if he made it to me in time this time.

The crowd was an interesting mix, as expected. You had your aging rocker dudes, like us. You could spot them even without the beer guts or the balding, just by the fading tattoos (as opposed to the bright and fresh ones of the young folk). You had what we were most looking forward to seeing - what we referred to as your aging skeezer MILF crowd. You know, all the girls that were hot and skanky in their ripped jeans and tube tops back when we did our early concert-hopping, now still trying to pull it off with their stretch marks and Botox? There were many. But I was surprised at how many young Priest fans there are out there. Part of this was a multi-generational thing. Some vets had clearly brought their kids along (sometimes their small children, interestingly...). But some young folk - college age - were clearly just there for the bands - hairy young dudes in their recent concert shirts (as opposed to guys like me, who had finally thrown theirs out or donated them to Good Will years ago), hot drunk Spring-Breaky girls out there to shake their collective thing in the pit in bikini tops. Kind of fun seeing such a wide range of head-bangers, young and old.

We settled in for the first show. There weren't a whole lot of people there, since many were waiting to show up for the bigger acts, but we got to enjoy, first, a set from Michigan's Pop Evil. And they surprisingly rocked the HOUSE. Really enjoyed these guys, and even more, enjoyed being back in the concert environment, with massive speakers shaking my chest and blasting my ears. That brought back a lot of great sense memories. They finished and a...unique band followed. That was Powerman 5000. I knew they weren't a typical band when they came out and all members of the band besides the Billy-Idol-looking lead singer (who calls himself "Spider One" and is actually the younger brother of Rob Zombie...but if they're actually related, shouldn't his name be Spider Zombie?) were wearing full-face sci-fi-looking helmets (?). A mix of rap metal and industrial metal, these guys, too, really nailed it, wowing the slowly-growing crowd.

After this, I needed a break from the direct sun, Vlado and I decided to head out into the main concourse area (with many sellers of tee shirts, beer, food, etc) and find some shade while I had a cigar. Bizarre moment there: while we sat talking, about a woman, as it turned out, some girl suddenly leaned over and said "She sucks!". Uh, what? Guess she felt like getting into the conversation, her joke being (I guess) that any woman we were talking about probably sucked. Budweiser makes for strange new friends... We got to chatting so long (us, not the drunk skeezer, who was gone pretty quickly, no complaints from us) we didn't realize that Tesla had already started playing. Oops!

We made it back for most of their set, and it was a great time. For those not in the know, Tesla is probably the most successful thing to come out of Sacramento (granted, this isn't saying much). They hit it big during the last years of hair bands, not needing the mascara and spandex, but just good old-fashioned hard-rocking. If you know them at all, you probably remember their very successful cover of "Signs". There's always been a great deal of pride in this town - at least amongst those with rocker leanings - when it comes to Tesla, and Tesla has always appreciated it, taking pride, in return, of where they came from. Their set was a mutual love-fest. It also inspired much drunk-girl wanna-be-stripper, think-we're-on-Spring-Break dancing in the pit in front of me, so that was an added bonus to go with the music. It's always fun to wait for that moment when they exceed their capabilities in their drunken state and fall over.

A story for another time: I'd met Tesla's lead singer, Jeff Keith, backstage at a Whitesnake concert almost exactly nineteen years ago, where I also had a nice long sit-down chat with Whitesnake frontman David Coverdale. The Coverdale chat was hard to focus on, because his wife - Tawny Kitaen, star of memorable Whitesnake videos and several crappy movies - was standing right next to me in very tight jeans and leather chaps. Again...story for another time.

After Tesla, the Deja Vu girls finally appeared onstage with the 98 Rock DJs, spraying the pit crowd with giant water guns, lifting their skirts and shaking their g-stringed booties at appreciative fans. I hear they'll be appearing later for a similar performance at an upcoming Jonas Brothers concert.

At this point, Robert and Vlado decided to hook up with Randy and head into the pit and storm the stage. I remained (you think?) and settled in for the Whitesnake performance, which ended up being a nice flashback for me. Due to the backstage story mentioned above, seeing them back in 1990 was one of my best concert experiences, and I was a huge fan of them back in my perm days (yes, I used to have the body perm). As I'm no longer the same music fan I once was, I didn't know any of the newer songs they played, but appreciated the classics, particularly one of the better crowd songs from the hair band era, "Slow and Easy". Coverdale is in good shape for his age, but is definitely starting to look like your grandfather in a wig. He announced that this is the twenty-fifth anniversary or their song "Slide It In". How did this information slip by the major networks? Stupid liberal media... He also announced that he'd just become an American citizen, finally (U-S-A! U-S-A!). I got a text from Vlado, letting me know he, Randy and Robert were all crushed up against the stage. The concert hounds of yesteryear, it appeared, still had it. Rock on, boys.

Whitesnake's set saw the setting of the sun, and it was dark by the end of it, which led to me finally noticing the video screen on either side of the stage. By this time the venue had filled, with all the seats behind me filled up, as well as the cheap-set grass area behind. The pit area was clogged, and was growing more so in anticipation of the main act beginning - that being Judas Priest. Robert and Vlado had had enough of the stage-front mashing and shoving and returned to sit with me. Besides that, Vlado, after seeing up close how Coverdale had aged, realized he really didn't want to see Priest's Rob Halford in such an advanced state, preferring to hold onto his 80s memories of the infamous singer.

Here's the thing with me and Judas Priest. There was a narrow generational gap in my youth between heavy metal and hard rock. I missed the metal window. While those rockers older than me thrilled to Priest, Iron Maiden, Ozzy and Dio, my "generation", while forced to respect such bands for fearing being called "fag" and getting our asses kicked, didn't really have the same connection to them. So while I knew some of their songs, I'd never bought any of their albums (this, as you may recall, was during the era of actual "albums"...and the glory days of cassettes), and didn't count them as one of my big influences. So while they were the headliner of this event, they weren't the big draw for me, as most of my exposure to them had been seeing their logo on the back of the jean jackets worn by the 14-years old that used to try to sell me weed outside the bowling alley when I went there to play videogames. But I was definitely into seeing this performance, as my curiosity was high, and I've aged enough to know that such biases held in your youth are often not rooted in logic and can make you miss what others seem to see so clearly. Bring on the metal, I figured.

My expectations ended up being exceeded, much to my pleasant surprise. There was a reason this band was at the top of the bill. Thirty-five years after forming, Judas Priest still knows how to own a crowd, and how to rock quite brilliantly. My first sight of Rob with his big gut made me wince, sympathetically, a little. But he was immediately likable. He's got this kind of serenity of the aged aura around him now, like he's genuinely enjoying what he's doing as is grateful for the chance to still be doing it. You just wanted to cheer him on. Seemed like a great guy. The crowd seemed to agree with me, and loved every minute of it.

Most of the bands I used to listen to were strictly of the head-banging-but-not-metal kind, so I hadn't really been to any shows with a mosh pit. Once formed, a wide circle in the middle of the pit, which fascinated me. How did it form? Who instigated it? Are there set rules about this kind of thing? But there it was, and it was a blast to watch, again because of the variety of fans. You expect to see young, virile white boys in these things, acting our their aggressions. But soon enough, I noticed a kid in there that looked about twelve. And a couple of young blonde girls. And guys of my generation. And at least one guy who looked like someone's grandfather. They all spiraled around, having a great time bouncing off of each other. It added a lot to the experience.

The band's performace was high-energy and addictive, with fantastic trappings of heavy metal shows, right down to lasers and a giant Nostradamus head with lit-up red eyes. Their guitarists did their patented stand-beside-each-other, left-to-right-banging sway, another standard of performances past. Rob worked the crowd - obviously not being able to be as acrobatic as he once, I assume, was - but kept the energy high and went through a couple of costume changes, the most memorable being what we referred to as the disco ball trench coat. There was much banging of heads and calling of woos, forked finger gestures thrown high, girls up on boyfriend shoulders swinging their arms.

Ah, yes, and I got to experience the encore ritual again. I've missed that. Obviously in a multi-band show, you can't accomodate encores for the early bands, so Priest would be the only one. There's that moment when they say goodnight, head offstage, but the lights are still on, so you know they're still coming back. I wonder, was their ever a time when the encore was not a ritual, but was instead spontaneous, with the band back in their dressing room, starting to take off their shoes, and a stage manager rushed back and told them the crowd wasn't disbanding, and they needed to get back out there? In our times, it's all part of the process. For this one, Rob came back out on stage riding a Harley. After more of their hits (and yet, no "Turbo Lover". What's up with that?), a banner with the Priest logo flanked by both Old Glory and the Union Jack was down, and Rob talked about how America and Britain were partners in metal (wooo!), partners in peace, and partners and war, and went on the give a heartfelt shout out to all the troops overseas.

Finally the show ended, with the band taking their bow, and that moment happened when, after they left, the stage shut down and the "house lights" went on. That's the moment when you know it's officially over and it's time to go home, but there are always those hopeful few that think if they can whip their fellow fans into a big enough screaming frenzy, the band will return. Doesn't happen. The show was at an end. We hung out in our seats, as Randy returned from his sweaty adventure up by the stage and Shawn found us, until security told us we'd need to leave. We headed out with the rest of the crowd, and again, our timing was good, because suddenly we were walking behind the Deja Vu girls, who weren't even attempting to keep their skirts pulled down. People were stopping them to take photos with them, and I was tempted to do the same, just to experience the total reversion to horny young rocker, but self-respect got the better of me. They finally headed back to their van, as us to mine.

We let the whole place empty out, standing by the van, discussing the experience and old times, sharing intell on former classmates we'd tracked down over the years. We told long-held secrets, and verified that there was one particular girl that almost all of us had made out with back in school (I'm not naming names). It was the perfect ending to the adventure, and soon, Robert and Vlado and I said our good-byes to Randy and Shawn, let them head to their car, and loaded up in the van for the enjoyable drive home (where more stories and secrets were shared). We got back to my place around 1:30 AM, and Vlado and Robert got into Robert's ride to head home, while I FINALLY had something to eat (hadn't eaten all day, by choice, for reasons you don't want me to go into), then headed out to the patio to start this blog.

It was everything we could have hoped for - great music, old concert memories, getting guitar picks as souviners (I even got a Telsa one, as a security guy had caught one and gave it to me there in the wheelchair seating), oggling both professional and amateur skanks, getting plenty of photos (all of mine viewable now by my Facebook people), feeling eighteen again and, most importantly, spending some quality time with great old friends. While I'm not much for crowds these days, I was definitely glad I made the exception, and took part in an amazing memory.

Thanks again, guys, for including me, and helping me prove that we are, still, "ready to rock".

Can't wait to tell all the guys at school on Monday...

Rockalottapus Concert Teaser

The blog update will be coming up soon on the concert event I just returned from. In the meantime, here's a special teaser recorded at the scene (because I remembered the new iPhone software includes a voice recorder):

Click Here For Teaser

Stay tuned...and rock on!!